![]() In one sense, Walt Disney Animation Studios is just one piece of the larger puzzle of The Walt Disney Company. You have to be pushing that all away, and you have to focus on, how does this make me feel?”ĭisney latest big animation hope, Wish, features idealistic Asha and a little ball of cosmic force called Star. “I think about all the struggles he had, but also what his ultimate goal was – because what happens in a world, even more so, is people assume the goals, they assume what your intent is, they assume things, and that can make it really hard to see what you’re supposed to be doing. “The number one thing he said is keep innovating, keep taking risks, keep trying. ![]() “Everyone has their own idea of what would Walt think, and what it tells you is their relationship with Walt, whether it’s as a ghost, it’s the same relationship we have with the films and anything he created, which becomes ours,” Lee says. Moana and Flounder (from The Little Mermaid) meet in Once Upon a Studio. In real terms, it is one of Hollywood’s great silent partnerships. And yet, at her side, is the imperceptible but ever-present ghost of the studio’s founder, Walt Disney. As one of the few women leading a major Hollywood studio, she is a poster for modernity. A billion-dollar library of assets playing out on one of the world’s most successful streaming platforms while factories crank out shelves of action figures, acrylonitrile butadiene styrene posed and painted to mimic iconic moments from the studio’s films and TV series.Īt its heart is the studio’s chief creative officer Jennifer Lee, who wrote and co-directed Disney’s mega-hit Frozen and its sequel Frozen II. In many respects, Walt Disney Animation Studios is, to slightly misquote Gilbert and Sullivan, the very model of a modern major studio.
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